O‘TKIR HOSHIMOVNING “IKKI ESHIK ORASI” ROMANIDA POLIFONIK TUZILMA VA OBRAZ YARATISH MAHORATI

Abstract

Annotatsiya. Mazkur maqolada XX asr o‘zbek nasrining yirik namoyandasi O‘tkir Hoshimovning “Ikki eshik orasi” (1986) romanidagi polifonik tuzilma va undan kelib chiquvchi obraz yaratish mahorati tadqiq etiladi. M.M.Baxtin tomonidan ishlab chiqilgan polifonik roman nazariyasi asosida asar tahlil qilinib, har bir hikoyachi-qahramonning mustaqil ovozi, individual nutq xususiyatlari va ichki monolog usulidagi o‘ziga xosligi ko‘rib chiqiladi. Tadqiqot germenevtik, qiyosiy-tarixiy, tipologik va matn ichi tahlil usullari asosida olib borilgan. Natijalar shuni ko‘rsatadiki, O‘tkir Hoshimov yigirmaga yaqin hikoyachi-qahramonni mustaqil ovozlar tizimida tashkil etib, ularning har birini bolalarcha sodda nutqdan tortib donishmandona falsafiy ohanggacha bo‘lgan keng diapazonda individuallashtirgan. Polifonik tuzilma muallif pozitsiyasini chetga chiqaradi va kitobxonga qahramonlar olamini ko‘p qirrali idrok etish imkonini beradi. Ichki monolog, badiiy detal va xalqona nutq vositalarining mahorat bilan qo‘llanilishi natijasida asarda Muzaffar, Robiya, “Qora amma”, Oqsoqol buva kabi takrorlanmas badiiy timsollar yaratilgan. Shu jihatdan “Ikki eshik orasi” o‘zbek nasrida polifonik roman shaklining muvaffaqiyatli sinovi va obraz yaratish mahoratining yuksak namunasi sifatida e’tirof etiladi.

Abstract. This article examines the polyphonic structure and the resulting image-creation skills in the novel “Between Two Doors” (1986) by O’tkir Hoshimov, a major figure in 20th-century Uzbek prose. Based on the theory of the polyphonic novel developed by M.M. Bakhtin, the work is analyzed, and the independent voice of each narrator-hero, individual speech characteristics, and the uniqueness of the internal monologue method are considered. The research was conducted based on hermeneutic, comparative-historical, typological, and intratextual analysis methods. The results show that O’tkir Hoshimov organized about twenty narrator-heroes into a system of independent voices, individualizing each of them in a wide range from childishly simple speech to wise philosophical intonation. The polyphonic structure removes the author’s position and allows the reader to perceive the world of the characters in a multifaceted way. As a result of the skillful use of internal monologue, artistic detail and folk speech tools, such unique artistic figures as Muzaffar, Robiya, “Black amma”, and Aksokol buva are created in the work. In this regard, “Between Two Doors” is recognized as a successful test of the polyphonic novel form in Uzbek prose and a high example of the skill of creating an image.