ABDULLA QAHHORNING “ANOR” HIKOYASIDA INSONIY DARD VA KAMBAG‘ALLIK FOJEASI
Keywords:
Kalit so‘zlar: Abdulla Qahhor, “Anor” hikoyasi, o‘zbek adabiyoti, kambag‘allik, insoniylik, mehr-muhabbat, realizm, ruhiy kechinma, badiiy tasvir, anor timsoli, ijtimoiy muammo., Keywords: Abdulla Qahhor, “Anor” story, Uzbek literature, poverty, humanity, love and affection, realism, psychological experiences, artistic depiction, the symbol of the pomegranate, social problem.Abstract
Annotatsiya: Ushbu maqolada o‘zbek adabiyotining yirik namoyandasi Abdulla Qahhorning “Anor” hikoyasi badiiy-estetik jihatdan tahlil qilinadi. Hikoyada kambag‘al oilaning og‘ir turmushi, inson qalbidagi iztiroblar, mehr-muhabbat va armon tuyg‘ulari mahorat bilan tasvirlanganligi yoritiladi. Asardagi Turobjon va uning xotini obrazlari orqali jamiyatdagi ijtimoiy tengsizlik, qashshoqlikning inson ruhiyatiga ta’siri hamda oilaviy munosabatlarning nozik jihatlari ochib beriladi. Maqolada hikoyaning g‘oyaviy mazmuni, ramziy timsollari, badiiy vositalari va tarbiyaviy ahamiyati haqida atroflicha fikr yuritiladi.
Annotation: This article provides an artistic and aesthetic analysis of the story “Anor” by Abdulla Qahhor, one of the prominent representatives of Uzbek literature. The story vividly portrays the difficult life of a poor family, as well as the feelings of suffering, love, affection, and regret in the human heart. Through the characters of Turobjon and his wife, the work reveals social inequality, the impact of poverty on human psychology, and the delicate aspects of family relationships. The article also discusses in detail the ideological content of the story, its symbolic images, artistic devices, and educational significance.
