GENRE, SEMANTIC, AND PRAGMATIC CHARACTERISTICS OF THE TRICKSTER HERO: A COMPARATIVE ANALYSIS OF AFANDI AND ROBIN HOOD

Authors

  • Shakhnosa Aslonova Author

Keywords:

trickster hero, Afandi, Robin Hood, folklore, genre analysis, semantics, pragmatics

Abstract

The trickster hero is a universal literary and folkloric figure present in many cultures. This article analyzes the genre, semantic, and pragmatic characteristics  of the trickster hero through a comparative study of Afandi and Robin Hood. The research applies a qualitative comparative method involving genre-based textual analysis, semantic interpretation, and pragmatic examination. The findings reveal that Afandi relies primarily on humor and irony within anecdotal folklore,  whereas Robin Hood functions as a heroic outlaw symbolizing collective resistance and social justice. Despite cultural and genre differences, both characters perform similar pragmatic roles as moral voices of the people,confirming the universality of the trickster archetype.

References

Jung, C. G. (1964). The Archetypes and the Collective Unconscious. Princeton

University Press.

Hyde, L. (1998). Trickster Makes This World. Farrar, Straus and Giroux.

Radin, P. (1972). The Trickster: A Study in American Indian Mythology. Routledge.

Holt, J. C. (1982). Robin Hood. Thames and Hudson.

Yusupov, S. (2019). Afandi as a Folk Philosopher in Uzbek Folklore

Published

2026-01-25

How to Cite

[1]
2026. GENRE, SEMANTIC, AND PRAGMATIC CHARACTERISTICS OF THE TRICKSTER HERO: A COMPARATIVE ANALYSIS OF AFANDI AND ROBIN HOOD. Ustozlar uchun. 88, 2 (Jan. 2026), 375–378.