THE ONTOLOGICAL-POETIC SYSTEM IN ALEKSANDR FAYNBERG’S POEM “YAPONIYA
Keywords:
Aleksandr Faynberg, ontological lyricism, existentialism, Japan, archetypal symbolism, sensory poetics, lyrical subject, phenomenology, temporal consciousness, cross-cultural reflection.Abstract
This article presents a comprehensive ontological and existential analysis of Aleksandr Faynberg’s poem “YAPONIYA” (“Japan”). Employing hermeneutic, phenomenological, and semiotic approaches, the study explores the poem’s compositional structure, the lyrical subject’s inner reflections, the phenomenology of Japanese space (islands, ocean, and dawn), archetypal symbolism (samurai, Tokuboku, umbrellas), and sensory perception (sight, smell, touch, perception of light). Temporal consciousness is examined as the interplay of ephemeral phenomena and enduring cultural legacy.
References
1. Heidegger, M. Sein und Zeit. 1927.
2. Jung, C.G. Man and His Symbols. 1964.
3. Bachelard, G. La Psychanalyse du feu. 1961.
4. Lotman, Yu. Struktura khudozhestvennogo teksta. 1972.
5. Bakhtin, M. Estetika slovesnogo tvorchestva. 1979.
6. Merleau-Ponty, M. Phenomenology of Perception. 1945.
