MOVIY RANGTASVIR USULLARI VA UNING BADIIY-OPTIK XUSUSIYATLARI
Keywords:
moviy rang, ultramarin, kobalt, lessirovka, alla prima, optik aralashtirish, havo perspektivasi, sovuq kolorit, simultan kontrast, rangshunoslik.Abstract
Ushbu maqolada moviy rangning tasviriy san’atdagi o‘rni, moviy pigmentlarning tarixiy taraqqiyoti hamda ularni qo‘llashning asosiy texnik usullari (lessirovka, alla prima, impasto, optik aralashtirish) tahlil qilinadi. Moviy rangning fizik-optik tabiati — to‘lqin uzunligi, sovuq rang sifatidagi chekinish effekti, havo (atmosfera) perspektivasidagi vazifasi va simultan kontrast hodisasi badiiy amaliyot bilan o‘zaro bog‘liqlikda yoritiladi. Shuningdek, moviy rangning O‘zbekiston me’morchiligi va rangtasvir maktabidagi milliy-estetik talqini ko‘rib chiqiladi. Tadqiqot natijalari rangshunoslik, rangtasvir kompozitsiyasi va badiiy ta’lim metodikasini takomillashtirishda amaliy ahamiyat kasb etadi.
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