TRADITIONS AND MODERNITY CONFLICT IN UZBEK AND WESTERN LITERATURE

Authors

  • Matniyazova Ikboloy Author

Keywords:

Kеywоrds: tradition, modernity, Uzbek Jadid prose, social realism, modern drama, modernist novel, identity, cultural change.

Abstract

Abstract. This article explores how the conflict between inherited tradition and disruptive modernity becomes a major engine of plot, character formation, and ethical debate in Uzbek and Western literary texts. Using Uzbek Jadid-era prose as a cultural “laboratory” of social change and comparing it with European modern drama and Anglo-Irish modernist fiction, the study shows that tradition is rarely a simple “enemy,” and modernity is rarely a clean “solution.” Instead, writers stage modernity as an experience of acceleration, uncertainty, and moral risk, while tradition functions as both shelter and constraint.

References

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3. Ibsen H. Et dukkehjem: skuespil i tre akter. — Kbh.: Gyldendal, 2019. — 192 s.

4. Joyce J. A Portrait of the Artist as a Young Man. — New York: B. W. Huebsch, 2016. — 299 p.

5. Berman M. All That Is Solid Melts into Air: The Experience of Modernity. — New York: Simon and Schuster, 2012. — 383 p.

Published

2026-02-11

How to Cite

Matniyazova Ikboloy. (2026). TRADITIONS AND MODERNITY CONFLICT IN UZBEK AND WESTERN LITERATURE. JOURNAL OF NEW CENTURY INNOVATIONS, 94(1), 314-316. http://journalss.org/index.php/new/article/view/18588