MORAL PHILOSOPHY AND AESTHETIC EXPERIENCE IN THE ENLIGHTENMENT NOVEL

Authors

  • Shuxratillayev Doston Rustamovich Author
  • Akmalxonov Said-Fozilxon Akmalxonovich Author

Keywords:

Enlightenment, moral philosophy, aesthetics, novel, ethics, eighteenth-century literature

Abstract

This article examines the relationship between moral philosophy and aesthetic 
experience in the Enlightenment novel. Focusing on the intellectual climate of the 
eighteenth century, the study explores how novelists combined ethical instruction with 
artistic form in order to shape readers’ moral sensibilities. Enlightenment thinkers 
believed that literature could educate individuals through reason, sentiment, and 
imagination. By analyzing selected novels of the period, the article demonstrates how 
narrative structure, character development, and emotional engagement functioned as 
tools for moral reflection. The study argues that the Enlightenment novel represents a 
unique synthesis of philosophy and art, where aesthetic pleasure and moral education 
operate together to promote rationality, virtue, and social harmony.

References

Richardson, S. Pamela. London, 1740.

Richardson, S. Clarissa. London, 1748.

Hume, D. An Enquiry Concerning the Principles of Morals. London, 1751.

Kant, I. Critique of Judgment. Berlin, 1790.

Abrams, M. H. The Mirror and the Lamp. Oxford University Press, 1953.

Published

2026-01-19

How to Cite

MORAL PHILOSOPHY AND AESTHETIC EXPERIENCE IN THE ENLIGHTENMENT NOVEL . (2026). ОБРАЗОВАНИЕ НАУКА И ИННОВАЦИОННЫЕ ИДЕИ В МИРЕ, 85(4), 273-276. https://journalss.org/index.php/obr/article/view/15574